Second to last panel mirrors a flashback, and I wanted the page to radiate out from that. All of Eve's sorrow originates in that moment. She's trapped in the same place, forced to broach an uncomfortable topic. So what if Will wants to connect; any ground ceded in this area almost guarantees the same betrayal.
I think the last panel muddles things a little - not intended to show Eve braking, just driving through the fog with lights on. This was more of an atmospheric panel, that ended up reading to some as an action. It sticks in my craw now, but is probably not a big deal, especially if you're reading it all at once.